In all manuscripts, except the ink painting, the traditional copy process can be used-mainly three primary colors, supplemented by the black version, to obtain a better copy effect. Aiming at the characteristics of ink-based traditional Chinese painting, with ink as the supplement, color as the rhythm, and the characteristics of ink sub-focusing, thickness, heavyness, lightness, and lightness, ICR (non-color structure) replication process is adopted. Pay attention to the operation of the scanning part of the electrical extension 1. Correctly determine the density range of black and white fields. Because ink Chinese painting generally draws on rice paper, and rice paper has low whiteness and grayness, it needs to be lined with a 175 g / m2 imported art paper slightly larger than the draft on the north back side to increase its contrast. To determine the high optical density, the white paper should be used to wind the screen, so that the light-toned ink swells on the rice paper, and the ink shows the traces of the water flow. The density of dark tone should be determined at the thick ink place, and the density is 1.8-1.9, instead of the focal ink place or the heavy ink place. If it is set at the focal ink, the dark tone level is compressed, the tone is flat and the density of the dark tone is not enough; if it is set at the heavy ink, the tone is combined, and the dark tone is dead. 2. The determination of hierarchy. The setting of BK-G, that is, the setting of black tone is the key to the success or failure of Chinese ink painting. It should be set to 4 or 5 according to the specific conditions of the original, so that the darker dark ink K is 97%, and the focal ink is It can be 100% to make the tone fuller. To determine the tone level, we should grasp the percentage of dots in the light ink and the dark ink. The light ink is set to Y: M1%, C2%, K1%. Ink thickening Y: M45%, C55%, K97%, so that the tone change of the black version can fully cover the level change on the original. 3. Choose the appropriate amount of USM. Appropriate selection of USM amount can enhance the artistic appeal of Chinese ink painting. It can reduce the light tone and enhance the dark tone on the basis of the USM amount of 5-6-7-1 set in the normal reflection draft, and set it to 3- 5-7-1, the atmosphere of the light and middle tone is vivid, not stiff, and the dark tone is subtle and clear, which meets the requirements of the human eye's visual characteristics for art appreciation. 4. The processing of the color part. Although Chinese ink painting is mainly based on ink, supplemented by color, but if the color parts are adjusted well, it can play the finishing touch. Due to the use of ink in the color of the long-order tone-adjusting version and the Chinese ink painting, the copied color will be darker. You can choose to appropriately subtract 5% -10% of the black version on the color correction channel, which can make the picture look too dull due to the use of the ICR process, becoming the highlight of the Chinese ink painting reproduction. Make proper compensation in Photoshop Open the scanned image in Photoshop and carefully check whether the scanned image tone contains all the tone on the original. And according to the characteristics of the original tone of the original manuscript, use curves to make appropriate adjustments. In order to highlight the haze displayed by the level of the light tone of the original, the curve a can be adjusted for the black curve. Applying the ICR process can not only solve the problems encountered when replicating with traditional processes. If the neutral gray balance is difficult, the reproduction of the layers is different, such as emphasizing the light and middle tone, the dark tone is damaged, and the dark tone level is maintained. It can save the amount of color ink, provide conditions for the process data and standardized operation, and provide an effective process method for artistic reproduction of Chinese ink painting.
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